‘There!’ he said, holding out his hand to her. She took the little drab thing between her hands, and there it stood, on its impossible little stalks of legs, its atom of balancing life trembling through its almost weightless feet into Connie’s hands. But it lifted its handsome, clean–shaped little head boldly, and looked sharply round, and gave a little ‘peep’. ‘So adorable! So cheeky!’ she said softly.

The keeper, squatting beside her, was also watching with an amused face the bold little bird in her hands. Suddenly he saw a tear fall on to her wrist.

And he stood up, and stood away, moving to the other coop. For suddenly he was aware of the old flame shooting and leaping up in his loins, that he had hoped was quiescent for ever. He fought against it, turning his back to her. But it leapt, and leapt downwards, circling in his knees.

He turned again to look at her. She was kneeling and holding her two hands slowly forward, blindly, so that the chicken should run in to the mother–hen again. And there was something so mute and forlorn in her, compassion flamed in his bowels for her.

Without knowing, he came quickly towards her and crouched beside her again, taking the chick from her hands, because she was afraid of the hen, and putting it back in the coop. At the back of his his loins the lire suddenly darted stronger.

He glanced apprehensively at her. Her face was averted, and she was crying blindly, in all the anguish of her generation’s forlornness. His heart melted suddenly, like a drop of fire, and he put out his hand and laid his lingers on her knee.

‘You shouldn’t cry,’ he said softly.

But then she put her hands over her face and felt that really her heart was broken and nothing mattered any more.

He laid his hand on her shoulder, and softly, gently, it began to travel down the curve of her back, blindly, with a blind stroking motion, to the curve of her crouching loins. And there his hand softly, softly, stroked the curve of her flank, in the blind instinctive caress.

She had found her scrap of handkerchief and was blindly trying to dry her face.

‘Shall you come to the hut?’ he said, in a quiet, neutral voice.

And closing his hand softly on her upper arm, he drew her up and led her slowly to the hut, not letting go of her till she was inside. Then he cleared aside the chair and table, and took a brown, soldier’s blanket from the tool chest, spreading it slowly. She glanced at his face, as she stood motionless.

His face was pale and without expression, like that of a man submitting to fate.

‘You lie there,’ he said softly, and he shut the door, so that it was dark, quite dark.

With a queer obedience, she lay down on the blanket. Then she felt the soft, groping, helplessly desirous hand touching her body, feeling for her face. The hand stroked her face softly, softly, with infinite soothing and assurance, and at last there was the soft touch of a kiss on her cheek.

She lay quite still, in a sort of sleep, in a sort of dream. Then she quivered as she felt his hand groping softly, yet with queer thwarted clumsiness, among her ‘clothing. Yet the hand knew, too, how to unclothe her where it wanted. He drew down the thin silk sheath, slowly, carefully, right down and over her feet. Then with a quiver of exquisite pleasure he touched the warm soft body, and touched her navel for a moment in a kiss. And he had to come in to her at once, to enter the peace on earth of her soft, quiescent body. It was the moment of pure peace for him, the entry into the body of the woman.

“It is very neatly tied. I had already made a note to that effect,” said Lestrade complacently.

“So much for the string, then,” said Holmes, smiling, “now for the box wrapper. Brown paper, with a distinct smell of coffee. What, did you not observe it? I think there can be no doubt of it. Address printed in rather straggling characters: ‘Miss S. Cushing, Cross Street, Croydon.’ Done with a broad-pointed pen, probably a J, and with very inferior ink. The word ‘Croydon’ has been originally spelled with an ‘i,’ which has been changed to ‘y.’ The parcel was directed, then, by a man — the printing is distinctly masculine — of limited education and unacquainted with the town of Croydon. So far, so good! The box is a yellow half-pound honeydew box, with nothing distinctive save two thumb marks at the left bottom corner. It is filled with rough salt of the quality used for preserving hides and other of the coarser commercial purposes. And embedded in it are these very singular enclosures.”

He took out the two ears as he spoke, and laying a board across his knee he examined them minutely, while Lestrade and I, bending forward on each side of him, glanced alternately at these dreadful relics and at the thoughtful, eager face of our companion. Finally he returned them to the box once more and sat for a while in deep meditation.

“You have observed, of course,” said he at last, “that the ears are not a pair.”

“Yes, I have noticed that. But if this were the practical joke of some students from the dissecting-rooms, it would be as easy for them to send two odd ears as a pair.”

“Precisely. But this is not a practical joke.”

“You are sure of it?”

“The presumption is strongly against it. Bodies in the dissecting-rooms are injected with preservative fluid. These ears bear no signs of this. They are fresh, too. They have been cut off with a blunt instrument, which would hardly happen if a student had done it. Again, carbolic or rectified spirits would be the preservatives which would suggest themselves to the medical mind, certainly not rough salt. I repeat that there is no practical joke here, but that we are investigating a serious crime.”

A vague thrill ran through me as I listened to my companion’s words and saw the stern gravity which had hardened his features. This brutal preliminary seemed to shadow forth some strange and inexplicable horror in the background. Lestrade, however, shook his head like a man who is only half convinced.

“There are objections to the joke theory, no doubt,” said he, “but there are much stronger reasons against the other. We know that this woman has led a most quiet and respectable life at Penge and here for the last twenty years. She has hardly been away from her home for a day during that time. Why on earth, then, should any criminal send her the proofs of his guilt, especially as, unless she is a most consummate actress, she understands quite as little of the matter as we do?”